Skip to main content

Remember the Past: The First Lady's Seamstress and Confidante

Hopefully, you had a chance to read my first post in this Remember the Past series; it was about Dr. Charles Drew.

In this next post, I'm going to introduce you to Elizabeth Keckley: The First Lady's Seamstress and Confidante.



Elizabeth Keckley was born a slave in Virginia in 1818. She became a seamstress and made dresses for the women of the area. Through her work as a seamstress, she was able to purchase her and her son's freedom in 1855. In D.C., she made beautiful dresses for the socialites. Her reputation for style, flair, and expert fit helped her score the ultimate client: First Lady Mary Todd Lincoln, who was known as a clotheshorse. (It's believed that she overspent her 1861 clothes stipend by $6,000.)

Keckley ended up becoming more than just FLOTUS Lincoln's dressmaker; she became a friend and confidante.  The death of both women's sons within several months of one another helped bring them even closer. After President Lincoln was assassinated in April 1865, Keckley was there to comfort the grief-stricken Mrs. Lincoln.

After Lincoln's assassination, the very traumatized Mary Todd Lincoln was deeply in debt due to her extravagant spending while still a FLOTUS.  She ultimately would battle Congress to receive a presidential widow's pension, which she won by a slim margin to the tune of $3,000 per year. Immediately, following Lincoln's death, the FLOTUS attempted to sell her wardrobe which turned into the Old Clothes Scandal.  Keckley assisted in these attempts.

In an effort to help Lincoln's reputation, Keckley published a memoir in 1868; it was titled Behind the Scenes, or Thirty Years as a Slave and Four Years in the White House. Unfortunately, the book had the opposite effect because FLOTUS Lincoln viewed the book as a betrayal and the women never communicated again.
Although the book is viewed favorably now for shedding insights on the Lincoln White House, at the time, it was received horribly. Aside from sharing personal connections and relationships that were not discussed publicly at that time, it was written by a Black woman.  "How dare she?" was likely a frequent remark. Lincoln's son Robert Todd Lincoln even went so far as to attempt to get Keckley's publisher to pull the book.

After the publication of the book and public fallout, Keckley lost her high standing as a dressmaker. In 1892, Keckley went to teach at Wilberforce University in Ohio in the Department of Sewing and Domestic Science Arts.  Unfortunately, poor health limited her abilities and she could not continue in her duties at the school. It is believed she mourned the loss of FLOTUS Lincoln's friendship for the rest of her life.

Elizabeth Keckley died in 1907 at the National Home for Destitute Colored Women and Children in D.C.






Keckley was portrayed by Gloria Reuben in the 2012 film Lincoln, as seen here:










Here, First Lady Mary Todd Lincoln is wearing a dress made by Keckley.


            



  







This quilt was made by Keckley.




While Elizabeth Keckley's life ended somewhat tragically compared to the life she had lived, like so many of the other people I suspect will be in this series, she lived an amazing life that I'm sure she could not have dreamed of while living on plantations in the South.

Remember, no matter how long your life, it's what you do in the time you have. These lives are worth remembering.

Pay attention to history.


Sources: 
http://www.smithsonianmag.com/arts-culture/the-story-of-elizabeth-keckley-former-slave-turned-mrs-lincolns-dressmaker-41112782/?no-ist
http://www.biography.com/people/elizabeth-keckley-9361611#death-and-legacy
http://www.firstladies.org/biographies/firstladies.aspx?biography=17
http://blogs.wsj.com/speakeasy/2012/11/23/the-secret-story-of-mrs-lincolns-bff/

Comments

Popular posts from this blog

Black Earth Rising--spoilers therein

https://commons.wikimedia.org/wiki/File:Flag-map_of_Rwanda.svg I recently finished  Black Earth Rising on Netflix. The show stars Michaela Coel (as Kate Ashby), Harriet Walter (as Eve Ashby), John Goodman (as Michael Ennis), among many others. It's about a Rwandan genocide survivor Kate, who was adopted by an international lawyer (Eve) who prosecutes cases in the ICC. Over two decades after surviving the genocide, Kate and all those around her are forced to come to terms with some seriously uncomfortable realities of what happened before, during, and after the genocide. The show got in my head... One, it was great to see so many beautiful, brown-skinned people in a show and to experience a story of modern African history--albeit horribly, tragic history. And every time Coel was on screen, I marveled over her beauty--beautiful, smooth, brown complexion, amazingly shaped eyes, beautifully pronounced cheekbones and full lips. Two, although fictionalized, I learned a LOT more

Avoiding "those" conversations

The post below was written in 2015, but never posted. (Not sure why.) Goodness, has the world changed in those 4 years. Now, our "president"--45--and EVEN more police brutality and racial bullshit situations have forced us to talk about what we have avoided for far too long. The below post represented a turning point for me in what topics I use for class. I'm glad I made that turn. I now actively work to decolonize the classroom and reiterate bell hooks' call to use transgressive teaching. Join me. From https://www.flickr.com/photos/collegelibrary/10859112445 For the first time in too many years to count, I've decided to use articles in my classes that openly discuss race. I purposely selected " The Topics Dystopian Films Won't Touch " by Imran Siddiquee and a response to that article titled " Why The Hunger Games  Is about Racism " by Alissa Wilkinson because both articles focused on a book and film series that most students nowadays

Remember the Past: Les Gens de Couleur Libres

Yes, I'm a day behind, but here's to it... I dedicate this post to my wonderful, brilliant niece who might  be taking a new interest in history, and that makes me even prouder on so many levels. Today, I'll introduce you to Les Gens de Couleur Libres (The Free People of Color). Free Women of Color with their Children and Servants in a Landscape Painting by Agostino Brunias Some years back, a cousin asked had I seen the film Feast of All Saints.  I had not. She proceeded to tell me of the plot of the movie wherein the Les Gens de Couleur Libres--the Free People of Color-- living in New Orleans were an entire class of people living in the slave state of Louisiana before  the Civil War ended.  My mind was blown. I'd never heard of these people. I was mad that I had not, but I instantly wanted to know all I could. Growing up, I always knew there were Blacks scattered throughout the country prior to 1863 and 1865 who were free through various means--buying thei